Identitatearen eraikuntza eta aitaren irudia errusiar zineman

Abstract

Aitaren pertsonaia gakoa izan da errusiar zineman. Baina aitaren irudiaren atzean errusiar identitatea eta gizarteko auzi korapilatsuak ezkutatzen dira. Sobietar Batasunetik gaur arte, errusiar zinemako aitak gizartearen eta agintariaren errepresentazioak izan dira. Aita indartsuak eraman ziren pantailara Stalinen garaian: aita boteretsua, militarrak. Aldiz, krisiak jotako Perestroika garaiko Errusian, aita ahulak irudikatu ziren. Eta egun berriro, aita indartsuak itzuli dira errusiar Blockbusterren bidez. Hau da, egun aita-gizarte joko berdina jarraitzen du Errusiar presidenteak.The figure of the father has been a key character in the Russian cinema. But behind the image of the father is hided a complex issue of the Russian identity and society. From the Soviet Union until now, the fathers of the Russian cinema have been the representations of the society and the leaders of the country. Powerful fathers were the character of the Stalin era: strong father, military ones. However, in the years of the Perestroika the fathers were represented as weak figures. Now, again, the strong fathers are back with Russian blockbusters. So, nowadays the Russian president is repeating the same game of representations.