Sentsorialtasuna eta eszenografia tenplu barrokoan. Madrilgo San Isidroren kaperaren kasua

Abstract

Lan honetan, tenplu katoliko barrokoa fededunaren zentzumenen estimulaziorako espazio gisa aztertzen da, eta, San Isidro kaperaren kasu-azterketetan oinarrituta, XVII. mendeko zeremonia, arte eta arkitektura erlijiosoaren balio sentsoriala eta eszenografikoa nabarmentzen dira. Kontuan hartzen dira, halaber, hirian ospatzen ziren jaialdietako elementu multisentsorialak; kasu honetan, San Isidroren kanonizazio-festetan presente zeudenak. Proposamen honen metodologia azken urteetara arte espainiar historiografian gutxi landutako ikuspuntu batean datza: arteak, arkitekturak eta jaiak hartzailearengan eragiten zuten inpaktu emozionalari erreparatzen zaio, artearen materialtasun hutsaren irakurketa gaindituz.

The present work consists in the analysis of the baroque catholic temple as a space for the deployment of the senses of the faithful, focusing on the sensory and scenographic value of the religious art and architecture of the 17th century. For this purpose, the multisensory resources in festivities celebrated in the town will also be analysed; in this case, the ones which were at San Isidro’s canonization festivities. This proposal starts from the need to apply a methodology scarcely undertaken until recent years in Spanish historiography, which transcends the analysis of the merely material, in order to contemplate art, architecture and festivities from the emotional impact caused in the receiver.